Bootcamp for Novelists Outline-Scene Sculpting
©2009/10 Constance K. Flynn


3B SCENE SCULPTING
COURSE OUTLINE

Novels are written and controlled through smaller blocks of prose called scenes and sequels. By applying certain criteria to these blocks, we can steer our story direction, use misdirection, and manipulate reader emotion. While it appears deceptively simple, the elements of scene and sequel are elusive. But once you get a handle on it and make the structure second nature, stories will almost write themselves. This course will cover:
    1. Scene Structure Overview
    a) The principal of cause and effect
    b) Definition of the scene
    c) Definition of the sequel
    d) Examples of scene and sequel in action
    2. Action Scene
    a) The heart of story tension
    b) Control action scene, control the reader
    c) Goal controls the scene, conflict provides the tension
    3. Sequels
    a) The place to showcase your characters
    b) Reaction must be given its due
    c) Exposition has its place and this is it
    d) Control the sequel, control the story
    4. Scene & Sequel Story Flow
    a) Transitioning from scene to sequel
    b) What sequels need to do
    c) The scene/sequel relationship
    d) Mini-sequels
If you've taken Character Development and Plot Development, you know I strongly advise not using material from your work-in-progress because your attachment to your work interferes with your ability to rip it up and tear it apart during the exercises. I advise the same thing for Scene Sculpting, although not as strongly. But if you do find yourself struggling to identify the scene and sequel breaks in your work, trying inventing a brand new scenario for the exercise and see if it makes the task easier. If it does, then stay with new material. Once this skill is mastered, you'll find it much easier to apply it to previously developed work.

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